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Peter Williams produced a series of prints based on a range of non-toxic techniques he applied to woodcuts sourced from locally felled forests. Williams used additional items found locally to create new prints & drawings based on his ‘boxed series’.

The work was developed through a number of walks and journey’s in the landscape which he made and culminated in a series of large-scale wood relief works and wooden sculpture constructions.

As part of the residency, Williams also advised on setting up the new print workshop and regularly gives masterclasses at the centre.

Pete Williams was born in Brighton in 1965. He studied at Brighton Uni.’ Postgraduate Diploma - Fine Art Printmaking, 89-91; Cheltenham School of Art & Design - BA Hon's Printmaking 86’-89’ and Studied and worked in North Cornwall 1985 – 1986.

Williams is Director & Founder of The Print Market Workshop Chapter Arts Centre, Wales and has curated: The Chapel Print Workshop - Art Space Portsmouth 2006, “Alternative Printmaking’ Invited curator / selector – Artonomy Fine Art Gallery Cornwall 2005; ‘100 International Bookplate Designs’ Invited curator – Off-Centre Gallery, Bristol 2006, The Affordable Art Fair - Bristol - Gallery Stand and W/shops 2004.

His teaching in printmaking is extensive and includes, Visiting Lecturer - Printmaking – Swansea Institute Uniiversity Wales BA Hons 2006, Visiting Lecturer - Printmaking - Colegsirgar, Carmarthen BA, 2003-06, Senior Lecturer- P/T Printmaking - Coleg Gwent Newport Foundation 03’-05; Visiting Lecturer - Drawing - Stroud School of Art Foundation Royal Forest of Dean College 2000-06’; Visiting Lecturer Printmaking - Fareham College Northbrook College of H/E 96 – 98’; Visiting Lecturer Printmaking - Cheltenham School of Art Bath University 91-94;

One person Exhibitions include Henry Thomas Gallery. West Wales 2005; Contemporary Brazilian Print & Printmaker Pete Williams - Tactile Bosh 2005; Wales Millennium Centre - ‘Llwyd - Grey’ - Hoarding Project 2003; Wales Millennium Centre - ‘Seven’ - Hoarding Project 2002; Media Point - Chapter Arts Centre 2000; Ty’Lle’n -Dylan Thomas Centre – Swansea 1999; Henrietta House - Westminster -London ‘Recent Works’ 1994; Grande Gallery - The Hague - Holland - ‘New Works’ 1993 – 1992; The Smiths Gallery - Covent Garden - London ‘Relative Art’ 1992.

Williams continues to live and teach in Wales developing alternative printmaking techniques.

Past Residencies